Stop teaching poems like crosswords
A poem is not a puzzle with one answer at the back. What device-hunting kills, and how to resurrect it.
Read essay →15 years teaching English Literature to Grades 6–12. My students annotate like detectives, argue like barristers, and write like they mean it. Literature not as comprehension passages — as the owner's manual for being human.
I became an English teacher because of one paragraph — a schoolteacher read us the last page of 'Charlotte's Web' and didn't hide that she was crying. I understood then that words on paper could do actual, physical things to a room. I've spent fifteen years engineering that moment for other people's children.
My classroom runs on argument and marginalia. Students keep commonplace books; annotations count for marks; the annual anthology of student writing is now in its tenth volume and has made three school libraries buy extra copies. Board results hold up — a 97% average at peak — but my real KPI is the ex-student who texts me from an airport because a line of Auden ambushed them.
If your school wants an English department where the library queue is longer than the canteen's — where children argue about semicolons with real feeling — I can start next term. I bring my own red pens.
Amara D'Souza · still crying at Charlotte's Web
Fifteen years of making dead poets feel like breaking news.
A poem is not a message in a bottle to be decoded for marks. It's a live wire. My job is to get small hands on it safely. First they feel the jolt. Then we ask how the poet wired it. The essay writes itself after that — because nobody needs a formula to describe something that actually happened to them.
Lead a seven-teacher department across ICSE and ISC. Rebuilt the curriculum around whole texts instead of extracts, founded the annual student anthology (10 volumes), and held a 95%+ ISC English average for six years — peak 97.
Grades 6–10 English; started the 'trial of the term' tradition — every year one literary character is prosecuted by the students, with evidence, and it has never once been fair to Macbeth.
Middle-school English and the debate club; learned that eleven-year-olds will read anything if you stop at the exact wrong moment on a Friday.
A poem is not a puzzle with one answer at the back. What device-hunting kills, and how to resurrect it.
Read essay →Why imitating an author's style teaches more craft than any essay about it — and how to grade a fake Dickinson.
Read essay →Feedback culture has gone beige. A defence of honest marginalia, and how children learn to crave it.
Read essay →My daughter put down her phone, unprompted, to finish a 400-page novel. I checked her temperature. It was Ms D'Souza.
Kiara's fatherPARENT · GR 9Her students walk into ISC essays like barristers into court. The examiners' reports single out our English scripts nearly every year.
PrincipalCATHEDRAL SCHOOLI'm an engineer now, but I still keep a commonplace book because of her. Ten years of it. It's the best thing I own.
ArjunALUMNUS · BATCH 2016